Thursday, April 17, 2014

4th Passiontide Palm Sunday 2009, Ashes of Your Life

4th Passiontide
John August Swanson
Palm Sunday
Matthew 21: 1-11

And they approached Jerusalem and came to Bethphage by the Mount of Olives. Then Jesus sent two disciples ahead and said to them, “Go to the village which you see before you, and at once you will find a donkey tied there and her foal with her. Untie them and bring them to me. If anyone says anything to you, tell him that the Lord needs them, and he will let you take them right away.”

This took place to fulfill what was spoken through the prophet:

‘Say to the daughter of Zion,
Behold, your king comes to you in majesty.
Gentle is He, and He rides on a donkey and on a foal of the beast of burden.’

The disciples went and did as Jesus had instructed them. They brought the donkey and the foal, placed their garments on them, and Jesus sat on them.
           
Many out of the large crowd spread their clothes on the road, while others cut branches from the trees and spread them on the road. The crowds that went ahead of them and followed Him shouted:

Hosanna to the Son of David!
Blessed is he who comes in the Name and Power of the Lord!
Hosannah in the highest! [Sing to Him in the highest heights!]


When Jesus entered Jerusalem, the whole city was stirred and asked, “Who is he?” The crowds answered, “This is Jesus, the prophet from Nazareth in Galilee.”

4th Passiontide, Palm Sunday
April 8, 2009
Matthew 21: 1 – 11

In many parts of the world, Passion Plays are still performed. The drama of Holy Week is enacted, sometimes with whole villages participating.

Holy Week itself is a kind of cosmic drama. Each event, each gesture, each word has deep significance. Christ’s entry into Jerusalem is at the same time the entry into Holy Week.

The scene is staged by Christ himself. As the all-knowing director of the drama, He sends His disciples to fetch the props: two donkeys, a mother and her foal. The prophet Zechariah had already given part of the script:

Hippolyte Flanders
Rejoice greatly, O daughter of Zion!
Shout in triumph, O daughter of Jerusalem.
Behold your King is coming to you.
He is just and endowed with salvation
Humble and mounted on a donkey
Even on a colt, the foal of a donkey! Zechariah 9:9

The people too, are familiar with the script. And when they see Him entering Jerusalem on a donkey, they know immediately, or think they know, what this means: their new king is entering his capital city, now lying under Roman occupation. And they play their part, shouting in triumph the words of David’s hymn. (Psalm 143)

We, too, in hindsight, know the script. And we know, as does the Director and true Author of the script, that a profound irony is being enacted. The people’s expectation of an earthly king will not be fulfilled. By the end of the week, enraged and disappointed, they will be calling for His execution.

Yet an even deeper current of meaning flows just beneath, and above the surface of the narrative. Something unexpected will happen. After three days His death will be transformed into a kingdom of Life. Rather than an earthly king of a particular people, He will become the regent of all human souls. The shattering of illusions, even death itself, cannot end what is here beginning. In the words of the poet:
William Holman Hunt

Sometimes with
the bones of the black
sticks left when the fire
has gone out

someone has written
something new
in the ashes
of your life.

You are not leaving, you are arriving.[1]





[1] David Whyte, “The Journey”, in The House of Belonging.

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